The Art of Riding on the Wind No. 5 – Rainbow Bee-Eater

The Art of Riding on the Wind No. 6 Rainbow Bee Eater a 

The Art of Riding on the Wind – No. 4 – Rainbow Bee-Eater, oil on composite aluminium panel, 40×40 cms

Rainbow Bee-eaters are one of the most delightful little birds that live in our locality. It takes very special flying skills to make a living out of catching insects on the wing.

The Art of Riding on the Wind – No. 3 – Silver Gull

The Art of Riding on the Wind - No. 4, Silver Gull oil on composite aluminium panel 40x40cms
The Art of Riding on the Wind – No. 4, Silver Gull
oil on composite aluminium panel
40x40cms

Another of this series of birds in flight. These are my sky panels re-purposed. I think the sky is equally as important as the birds, since the series is about the many facets of the art of riding on the wind.

My Cloud Atlas

Atlas of Clouds, acrylic and oil paint on composite aluminium panels, each 400x400mm
Atlas of Clouds, acrylic and oil paint on composite aluminium panels, each 400x400mm

Painting the sky is a huge challenge, I have discovered. This is the final work for my most recently completed uni unit. I was trying to capture some really difficult aspects of the sky, such as its luminosity, its changeability, its vast size, power and mystery. In the end I discovered that painting on aluminium composite panels gave me the best results for smooth, luminous colour. There are still some technical problems to overcome, which I am currently working on.

Summer Storms

Summer storms

Summer storms have come
scattering the last blossoms
of golden wattle.

3 Panels – 92 x 45 cms each – oil on canvas.

This painting is part of my series titled Looked for beyond Seeing: Portrait of a Rainforest Stream which I’ll be working on throughout this year to complete my Fine Arts degree. What really interests me here are the simultaneous impressions of the water’s surface, the reflection of the sky and the creek bed beneath. Some of my other work has taken a more abstract approach, but for this one I have kept it quite realistic, just strengthening the underlying abstract composition and the naturally occuring patterns.

Dancing on the Edge 65/100 for 2013

Dancing on the Edge, mixed media, 75x75 cms
Dancing on the Edge, mixed media, 75×75 cms

This was my entry for the recent Border Art Prize. Didn’t win, didn’t sell, situation normal. It’s a departure from my usual style. The painting started with a background of rust paint – you paint it on, black and gluggy, and then put on an oxidizer, that makes the surface, well, rust. When its rusted enough, you can seal it off. It makes a very interesting coloured and textured matt surface. Then I used some net fabric as a stencil to apply modelling paste, palette knife ditto, and a lot of dribbling, flicking and dotting. I was trying to get the impression of a group of rather graceful looking trees clinging onto a cliff face and swaying in the breeze. I think I got something of it there. The original photo reference, which bears little resemblance to the painting, was taken at the Minyon Falls lookout, Northern NSW.

Silent Waters – paintings 59-61 of 100 for 2013

Silent Waters triptych 1, oil on canvas mounted on hardboard, 28x75cms
Silent Waters triptych 1, oil on canvas mounted on hardboard, 28x75cms
Silent Waters triptych 2 - oil on canvas mounted on hardboard, 28x75cms.
Silent Waters triptych 2 – oil on canvas mounted on hardboard, 28x75cms.
Silent Waters Triptych 3 - oil on canvas mounted on hardborad, 28x75 cms.
Silent Waters Triptych 3 – oil on canvas mounted on hardborad, 28×75 cms.
Silent Waters Triptych mounted.
Silent Waters Triptych mounted.

These are three paintings I developed from the small paintings I put up in the previous post.  They are all scenes from Mudgeeraba Creek, a few kilometres down the road, right up in the headwaters of it, where it is very shallow.  There is a fantastic quality of light there in the early morning, when the sun is lighting up the tops of the trees but the under-canopy is in shadow.  The colours of reflections this makes is amazing – like liquid gold and green satin.   The work is currently on display at Monet’s Art Garden Gallery, Metro Centre, Hollywell Road, Labrador.  The mosaic table-top in the foreground is also my work, if anyone is wondering.