Jewel Box is another in the series of paintings I have been doing of Mudgeeraba Creek. I was walking along the edge of the creek one day when I noticed a shaft of light coming in between the tree branches and lighting up the stones on the floor of the creek with a golden glow. The richness of the reflections of leaves and branches, and the shapes and colours of the underlying rocks seemed to create a complicated sort of Rococco pattern; not a collection of mundane objects, but a secret cache of precious things. That’s why I’ve called the work ‘Jewel Box’.
Here is how my bird panels look when put together as a single work. I am very honoured to have had this work selected as a finalist in the inaugural Holmes Art Prize run by the Regional Art Gallery of Caloundra. It is a specialised art prize calling for “excellence in the realistic representation of Australian birds”. They have attracted entries from the top nature and wildlife artists from all over Australia, so, without undue modesty, I am still wondering how I managed to get in. The show will be on from the 12th to 30th August at The Oakes Resort, Cnr. North Street and Landsborough Parade, Golden Beach. My partner Steve also has a work in the show – a beautiful painting of the Black Shouldered Kite, which I will post next.
When I did this panel as part of my cloud atlas, I found that it was my favorite one, but I couldn’t fit it into an arrangement with the others,because it was too dominant. I think it works very well just on its own, in company here with a romantic pair of Sandhill Cranes. It reminds me that while searching for enlightenment is all well and good, it’s so much more pleasant in the company of a like-minded companion.
Crows get bad press, and I admit they are not the most tuneful of birds, but when it comes to flying, they do it with style. I love the sound their wings make – like the rustle of taffeta and the nonchalent way they skim through the air reminds me of a rower on one of those racing skiffs, just effortlessly flicking over the water.
Nevertheless, crows do have their ominous side, and I thought a stormy sky would be appropriate for him.
Here is another of my bird series, titled “The Art of Riding the Wind”. As I mentioned in an earlier post, the expression “riding the wind” is a way of describing the experience of enlightenment in Zen Buddhist and Taoist philosophy. Riding the wind is very difficult for people, but comes naturally to birds.
The work started out as one of a series of paintings of the sky in various moods. I was interested in trying to depict the boundless power and mystery of the sky. If you’ve ever looked out of an airplane window with your mind in neutral, you’ll know what I mean. Using composite aluminium panels, I airbrushed gradated layers of colour, and afterwards used oil paint to try to suggest cloud formations. The birds were later added to these panels, trying to match something of the feeling for each species of bird with the sky in each case.
Oil on canvas, 60×60 cms
This work is part of the series I am doing of a rainforest creek close to my home on the Gold Coast. I am interested in the optical intricacies created by ripples and reflections. Where the shadows fall, you can see beneath the surface to what lies beneath. Could this be a metaphor of some kind?
‘Riding the wind’ is a Zen expression connoting the experience of samahdi, or ‘getting it’ which can come after many years of meditation, or suddenly, as when the Zen master gives his student a sharp blow to the ear. Either way, it is a difficult thing for people to achieve. Birds, on the other hand, naturally ride the wind. They are seamlessly part of the universe. This painting is one of a series based on sky panels I had made previously. I am interested in the many different expressions of the art of riding the wind shown by various species of birds.
The rivulet flows
gentle as the touch of silk
yet cuts its channel.