The Art of Riding the Wind, No. 9.  Sandhill Cranes.  Oil on composite aluminium panel, 40x40 cms.
The Art of Riding the Wind, No. 9. Sandhill Cranes. Oil on composite aluminium panel, 40×40 cms.

When I did this panel as part of my cloud atlas, I found that it was my favorite one, but I couldn’t fit it into an arrangement with the others,because it was too dominant. I think it works very well just on its own, in company here with a romantic pair of Sandhill Cranes. It reminds me that while searching for enlightenment is all well and good, it’s so much more pleasant in the company of a like-minded companion.

The Art of Riding the Wind – No. 8 – Australian Crow

The Art of Riding the Wind No. 8 - Australian Crow - 40x40 cms oil on composite aluminium panel
The Art of Riding the Wind No. 8 – Australian Crow – 40×40 cms oil on composite aluminium panel

Crows get bad press, and I admit they are not the most tuneful of birds, but when it comes to flying, they do it with style. I love the sound their wings make – like the rustle of taffeta and the nonchalent way they skim through the air reminds me of a rower on one of those racing skiffs, just effortlessly flicking over the water.

Nevertheless, crows do have their ominous side, and I thought a stormy sky would be appropriate for him.

The Art of Riding the Wind continued.

The Art of Riding the Wind No. 7 - Kestrel Oil and acrylic on composite aluminium panel 40x40 cms
The Art of Riding the Wind No. 7 – Kestrel
Oil and acrylic on composite aluminium panel 40×40 cms

Here is another of my bird series, titled “The Art of Riding the Wind”. As I mentioned in an earlier post, the expression “riding the wind” is a way of describing the experience of enlightenment in Zen Buddhist and Taoist philosophy. Riding the wind is very difficult for people, but comes naturally to birds.

The work started out as one of a series of paintings of the sky in various moods. I was interested in trying to depict the boundless power and mystery of the sky. If you’ve ever looked out of an airplane window with your mind in neutral, you’ll know what I mean. Using composite aluminium panels, I airbrushed gradated layers of colour, and afterwards used oil paint to try to suggest cloud formations. The birds were later added to these panels, trying to match something of the feeling for each species of bird with the sky in each case.

A Day at the Beach – Part 2

The second part of my time assignment was to bring a more personal aspect to the study of time.  I found a picture of myself as a small child at the beach, with my little black kitten.  So long ago.  I have super-imposed this on a picture of Echo Beach in the morning.  The figure is in sepia and white – like the original photo – I’m thinking of it as an echo from another time.  I’m wondering if that little girl is still around somewhere, inside this old lady.

Echo of Childhood - oil on canvas - 45x60
Echo of Childhood – oil on canvas – 45×60

The second painting of the pair is a sunset scene with a figure (supposedly me) looking out over the sea towards the setting sun.  The day is almost over.  So sad.  Never mind, I’ve studied philosophy, I’m OK with it.

Day's End, Oil on canvas, 60x45
Day’s End, Oil on canvas, 60×45