Three Views of Mudgeeraba Creek

three views 1three views 3three views 2

Three views of Mudgeeraba Creek – 3x panels oil on canvas, mounted on board, 40x80cms each, overall 120×80 approx. Susan Skuse 2015.

I came up with this work as part of my Fine Arts Degree work and finished it up for the d’Arcy Doyle Award. I’m happy to report that the painting has found a new home, and, not only that, but another artlover has commissioned a similar work. I’m beginning to feel that I might have found my art “niche”.

For anyone who is interested in such things, here is my artist statement relating to this work, explaining the thought process behind it.

The aim of my painting is the appreciation of the natural world as a unity in which we are not objective observers, but an integral and undifferentiated part. For me, this involves painting in a realistic style and with an attachment to place.
My recent work has been based on a single place; a rainforest stream near my home. It is not that there is anything special about this place; there are thousands, perhaps millions of such places where the basic elements of water, rock, light and vegetation come together.
In Zen Buddhism there is a term, kensho, which implies a momentary enlightenment wherein one “sees nature” and also sees one’s own nature, with the sense that there is no duality between the ‘seer’ and the ‘seen’. My goal is for my painting to open the door to a such an experience.
In the set of three, titled ‘Focus Shirt, the top panel shows a distant view, which reads as a conventional landscape painting. In the second panel , the middle ground, the patterns of shapes are becoming more abstract, and in the bottom panel they are rendered more abstractly again, with primary interest being on the distorted shapes created by moving water and the colours.

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The Art of Riding the Wind – No. 8 – Australian Crow

The Art of Riding the Wind No. 8 - Australian Crow - 40x40 cms oil on composite aluminium panel
The Art of Riding the Wind No. 8 – Australian Crow – 40×40 cms oil on composite aluminium panel

Crows get bad press, and I admit they are not the most tuneful of birds, but when it comes to flying, they do it with style. I love the sound their wings make – like the rustle of taffeta and the nonchalent way they skim through the air reminds me of a rower on one of those racing skiffs, just effortlessly flicking over the water.

Nevertheless, crows do have their ominous side, and I thought a stormy sky would be appropriate for him.

The Art of Riding the Wind

‘Riding the wind’ is a Zen expression connoting the experience of samahdi, or ‘getting it’ which can come after many years of meditation, or suddenly, as when the Zen master gives his student a sharp blow to the ear. Either way, it is a difficult thing for people to achieve. Birds, on the other hand, naturally ride the wind. They are seamlessly part of the universe. This painting is one of a series based on sky panels I had made previously. I am interested in the many different expressions of the art of riding the wind shown by various species of birds.

The Art of Riding the Wind, No. 1.  40x40cms, oil on aluminium composite panel.
The Art of Riding the Wind, No. 1. 40x40cms, oil on aluminium composite panel.

Sea of Dreams

Sea of Dreams, oil on canvas, 91x91 cms
Sea of Dreams, oil on canvas, 91×91 cms

This is a bit of a multi-purpose work, exploring two subjects that are deeply fascinating to me – the sky and the sea. I was trying to capture an unusual pearly light that you sometimes see at dawn, and I think I’ve got at least part of the way there. I’ve called the painting ‘Sea of Dreams’ because it looks a bit surreal to me.

Before the Storm

Before the Storm, oil on canvas, 40 x 80 cms
Before the Storm, oil on canvas, 40 x 80 cms

I have been working on a series of paintings of sky and clouds for my current studies. A friend sent me a couple of his photographs as a challenge.

Approaching storm reference
Approaching storm reference

What began as an attempt at a literal rendering of the photograph gradually morphed into something completely different, through the liberal use of artistic license.