Where shadows fall, you can see what lies beneath.

Shadows of branches inscribe secret messages on flowing water
Shadows of branches
inscribe secret messages
on flowing water

Oil on canvas, 60×60 cms

This work is part of the series I am doing of a rainforest creek close to my home on the Gold Coast.  I am interested in the optical intricacies created by ripples and reflections.  Where the shadows fall, you can see beneath the surface to what lies beneath.  Could this be a metaphor of some kind?

The Art of Riding on the Wind No. 5 – Rainbow Bee-Eater

The Art of Riding on the Wind No. 6 Rainbow Bee Eater a 

The Art of Riding on the Wind – No. 4 – Rainbow Bee-Eater, oil on composite aluminium panel, 40×40 cms

Rainbow Bee-eaters are one of the most delightful little birds that live in our locality. It takes very special flying skills to make a living out of catching insects on the wing.

The Art of Riding on the Wind – No. 2 – Australian Magpie

The Art of Riding on the Wind No. 7 Australian Magpie a

The Art of Riding on the Wind – No. 2 – Australian Magpie
Oils and acrylic on composite aluminium panel
40 x 40 cms

This is the second of my Riding on the Wind series, featuring one of the dependents of this household, the Australian Magpie. Birds all seem to have their own style when it comes to flying. The Magpie’s is determined, efficient, but not flashy.

The work is done on composite aluminium sheet. The sky has firstly been painted on using airbrushed acrylic, followed by oil paint, and then the bird has been added in oils.

The Art of Riding the Wind

‘Riding the wind’ is a Zen expression connoting the experience of samahdi, or ‘getting it’ which can come after many years of meditation, or suddenly, as when the Zen master gives his student a sharp blow to the ear. Either way, it is a difficult thing for people to achieve. Birds, on the other hand, naturally ride the wind. They are seamlessly part of the universe. This painting is one of a series based on sky panels I had made previously. I am interested in the many different expressions of the art of riding the wind shown by various species of birds.

The Art of Riding the Wind, No. 1.  40x40cms, oil on aluminium composite panel.
The Art of Riding the Wind, No. 1. 40x40cms, oil on aluminium composite panel.

Life Study Remix

Life study remix 18life study remix 11Life study remix 19life study remix 13Life study remix 22Life study remix 21Life study remix 16Life study remix 12life study remix 3Hillier and Skuse Dreams of a Past LifeIMG_8591life study remix 4Life study remix 7Life study remix 8life study remix 10

Life Study Remix - mixed media on paper - 41 x 29 cms
Life Study Remix – mixed media on paper – 41 x 29 cms

These works are a collaboration between Steve Hillier – who did the wonderful life drawings, and myself, who did all the monoprinting over the top of them.

Sea of Dreams

Sea of Dreams, oil on canvas, 91x91 cms
Sea of Dreams, oil on canvas, 91×91 cms

This is a bit of a multi-purpose work, exploring two subjects that are deeply fascinating to me – the sky and the sea. I was trying to capture an unusual pearly light that you sometimes see at dawn, and I think I’ve got at least part of the way there. I’ve called the painting ‘Sea of Dreams’ because it looks a bit surreal to me.

My Cloud Atlas

Atlas of Clouds, acrylic and oil paint on composite aluminium panels, each 400x400mm
Atlas of Clouds, acrylic and oil paint on composite aluminium panels, each 400x400mm

Painting the sky is a huge challenge, I have discovered. This is the final work for my most recently completed uni unit. I was trying to capture some really difficult aspects of the sky, such as its luminosity, its changeability, its vast size, power and mystery. In the end I discovered that painting on aluminium composite panels gave me the best results for smooth, luminous colour. There are still some technical problems to overcome, which I am currently working on.

Cloudy Thoughts – D’Entrecasteaux

Cloudy Thoughts - D'Entrecasteaux, mixed media on paper, 61x81 cms
Cloudy Thoughts – D’Entrecasteaux, mixed media on paper, 61×81 cms

My main interest here is in the sea and the sky; in the way these elements dominate the landscape and make humankind’s efforts at control look insubstantial. The sky, on this rainy day, set a sombre tone that was reflected in the waters of the Channel. The scene evoked thoughts about the transience and insignificance of my life compared to the sublime power of the natural world, and the verses from the Rubaiyat of Omar Khayyam included in the work give expression to these thoughts. It’s probably not possible to read the verses from this image, so here they are:

XXIX

Into this Universe and Why not Knowing
nor whence, like water willy-nilly flowing;
and out of it, as wind along the Waste,
I know not Whither, willy-nilly blowing.

XLVII
When You and I behind the Veil are past,
Oh, but the long, long while the World shall last,
Which of our Coming and Departure heeds
As the Sea’s self should heed a pebble-cast.

LXXII
And that inverted Bowl they call the Sky,
Whereunder crawling coop’d we live and die,
Lift not your hands to It for help–for It
As impotently moves as you or I.

A number of different processes and materials were used in this work. Silver leaf was laid down over some areas of the sky and a verdigris preparation was used as underpainting on the land and areas of the sea. The scene was then painted in acrylic paint. Some collage elements are included in the sky and for the text. The work was then coated in encaustic medium to give depth to the colours and to enhance the surface texture of the work. Details of the sea were added with oil paint and stylized cloud shapes were stenciled into some areas of the sky with the intent of contradicting a straightforward naturalistic reading of the work.